Overview
Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.
Details
Release Date
October 9, 2013
Runtime
0h 4m
Status
Released
Languages
English
Countries
N/A
External Resources